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In interpreting these passages and others like them, I have naturally assumed that the two phrases, "the ultimate productive power" and "the creative process" are simply two ways of referring to the same thing -- namelything—namely, what Hartshorne speaks of, in another writing published only a couple of years later, as "creative becoming" or "creativity," which he there characterizes, significantly, as "the indispensable minimum of what thought is about" or as "indispensable referent of all meaning" ("Foreword" to The Ontological Argument of Charles Hartshorne: xiv). But if the intended referent of the phrases is indeed "creativity," and not "God," or "God as including the world," then I have a serious problem with them.

To speak of any abstraction as such as a productive power is to commit the fallacy of misplaced concreteness -- very concreteness—very much in the same way in which Bracken does, or as many critics of Whitehead do in arguing that "creativity" is, in effect, a "God beyond God." It is essentially implied by the Aristotelian-Whiteheadian "ontological principle" that the only productive powers, including the ultimate such power, are "actual entities," i.e., concretes, and so events, individuals, or aggregates. By "the ultimate productive power," then, the only thing that could be properly meant is not "creativity," which is precisely not concrete, but "God," i.e., the universal individual who is concrete as the sole primal source as well as the sole final end of all things.

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